Cine EI Complete Guide Sony FX30/FX3 | What, Why & How

Cine EI Complete Guide Sony FX30/FX3 | What, Why & How ***I am an Amazon Affiliate and this description includes affiliate links which earn a commission to help support my channel at no additional cost to you. I’ll always be up front if a product is sent to me for review I USED THESE CAMERA & LENSES IN THIS VIDEO: Main: Sony FX30 Sony 35mm f/1.8 Captured the FX30 LCD: Sony a7IV Sigma DGDN 24-70 f/2.8 Art 2nd & 3rd Angles: Sony a7SIII Sony 20mm f/1.8 G AUDIO GEAR I USE Audient evo4 Shure SM7B VeeleiZ Mica preamp: Azden SGM 250H Cloudlifter CL-1 Gator Frameworks Boom Arm Azden SGM 250H K-Tek Avalon KE-110CC K-Tek Airo (boom pole holder) K-Tek Shockmount å Sony MDR-7506 Studio Monitor Headphones LIGHTS, TRIPODS, & BAGS I USE Godox UL-150ii Bi Godox TL180 Godox VL-150 Godox SL-100Bi Aputure Lantern Softbox Godox QR-P70 Softbox Nice Foto Softbox Endurax Drone & Camera Backpack Benro S8 Fluid Head Benro Single Tube 75mm Bowl Al Tripod Benro 75mm Ball Adapter w/ short handle CHECK OUT FULL KIT @ COLOR GRADE & FILM GRAIN Use promo code DAZEDANDCONFUSED for 10% off ROYALTY FREE STOCK FOOTAGE ROYALTY FREE MUSIC Courtesy of Track Club use the link for free 30 day, all-access trial Courtesy of Epidemic Sound use the link for free 30 day trial For Business Inquiries email: phillip@ IRE Guide S-Log3 S-Log 3 (no LUT) - IRE 41 for middle grey - IRE 48-52 for Avg. Skin Tones - IRE 61 for 90% reflectivity white card (add 2 or 3 for white paper) s709 Display LUT - IRE 44-45 for middle grey - IRE 57-62 for Avg. Skin Tones - IRE 77-78 for 90% Reflectivity white card CHAPTER MARKERS 00:00 Intro 00:40 What it is & why to use it 02:22 Dynamic Range & Middle Grey 03:26 Base ISOs Low & High 05:34 Cine EI Menu Setup 05:59 Log Shooting Settings 06:35 Cine EI vs Cine EI Quick 06:46 Cine EI Low Base 08:15 Cine EI High Base 09:29 Cine EI Quick Demo 11:07 How to shoot 11:47 Use a grey card or white card (trust me) 12:19 Standard IRE values to help you expose 12:43 Monitor LUT on or off 13:21 Setting Custom Zebras 15:14 Post-production 15:42 Adjusting the exposure to match how you shot 18:30 Comparing different exposures 21:40 Catalyst Browse can do it for you 23:06 Conclusion